About the Allemande…it is a dance in moderate duple meter first appearing in the Sixteen Century.
As one of the enduringly popular dances of the Baroque genre, an allemande is often offered as a standard portion of a musical suite. While early on an allemande served as a prelude to the suite, the dance is usually included in the first movement today. Here is some information on the history of the allemande, as well as some of the features that make the allemande unique in the world of Baroque dance. The origins of the allemande can be traced back to the Renaissance of the 16th century. The name of the allemande is actually based on the French word for "German," and points to the fact that the dance is based partly on elements of popular Germany dances. Featuring a moderated tempo along with a double meter, the allemande was a lively representation and quickly caught the attention of dancers as well as composers. During the 17th century, there was some experimentation with the allemande that changed the basic structure of the dance. Instead of a double meter, a quadruple meter was employed. In addition, the overall tempo of the movement was increased. Most of the refinements came about in order to accommodate similar changes in the musical compositions.
It is worth noting that no less than Bach and Froberger in Germany composed allemandes that were geared for use with keyboard instruments, while Italian and English composers focused on musical compositions for string instruments. English composers also experimented with a tripe meter to the allemande, as well as working with the quadruple meter concept.